The Art-Architecture Complex
Hal Foster, author of the acclaimed <i>Design and Crime</i>, argues that a fusion of architecture and art is a defining feature of contemporary culture. He identifies a “global style†of architecture—as practiced by Norman Foster, Richard Rogers and Renzo Piano—analogous to the international style of Le Corbusier, Gropius and Mies. <br><br>More than any art, today’s global style conveys both the dreams and delusions of modernity. Foster demonstrates that a study of the “art-architecture complex†provides invaluable insight into broader social and economic trajectories in urgent need of analysis.