Television Sitcom
<DIV><DIV>Despite its global reach, long-standing popularity, and immense profitability, the sitcom has been repeatedly neglected in theoretical work on television and media. This book brings the analysis of sitcom up to date with a wealth of contemporary examples, a range of new approaches to the genre, and an examination of the roles sitcom and comedy play within society. <BR><BR>With specific case studies of <I>Will and Grace, The Office, </I>and <I>The Cosby Show, </I>as well as analysis of a broad range of contemporary and historical examples throughout, this book will be of interest to students of sitcom and comedy, as well as to those of television and popular culture. A chapter on genre examines the history and development of sitcom and the institutional structures that produce it. There is also analysis of the differences among sitcoms produced in a range of countries, and discussion of what happens when a program gets sold and remade abroad. A chapter on representation explores debates about the ways in which sitcom chooses who to make jokes about and why, and whether this matters. And a chapter on performance argues that this is a vital, and under-explored, aspect of sitcom's funniness. </DIV></DIV>