Suburbia (new version)
<div>“Chekhov high on speed and Twinkies. A Work as ferocious as Mr. Bogosian’s own one-man shows.†-- David Richards, <I>New York Times</I><BR><BR>“A scarifying dissection of youthful disillusion that manages to be both appalling and appealing.†-- <I>Newsweek</I><BR><BR>“Bogosian’s script retains the playwright-performer’s trademark vitriol and hammer wit.†-- <I>TimeOut New York</I><BR><BR>This updated version of Eric Bogosian’s theatrical tour de force, set in a convenience store parking lot, riveted audiences in its Off-Broadway premiere. His rewrites – for a world with cell phones, hip-hop and war-time cultural tensions – render the piece “an American anyplace where everything, yet nothing , has changed.†-- Celia McGee, <I>New York Times</I><BR><BR>One of America’s premier performers and most innovative and provocative artists, Eric Bogosian’s plays and solo work include <I>suburbia</I> (Lincoln Center Theater, 1994; adapted to film by director Richard Linklater, 1996); <I>Sex, Drugs, Rock & Roll</I>, <I>Pounding Nails in the Floor with My Forehead</I>; <I>Griller</I>; <I>Humpty Dumpty</I>; <I>1+1</I>; <I>Skunkweed</I>; <I>Wake Up and Smell the Coffee</I>; <I>Drinking in America</I>; <I>Notes from Underground</I> and <I>Talk Radio</I> (Pulitzer Prize finalist; New York Shakespeare Festival, 1987; Broadway, 2007; adapted to film by director Oliver Stone, 1988). He has starred in a wide variety of film, TV and stage roles. Most recently, he created the character of Captain Danny Ross on the long-running series <I>Law & Order: Criminal Intent</I>. In 2014, TCG published <I>100 (monologues)</I>, a collection that commemorates thirty years of Bogosian’s solo-performance career.<BR></div>