Shaken By A Low Sound

Shaken By A Low Sound

Like Nickel Creek and the Duhks (and Alison Krauss and Union Station before them), Crooked Still employ bluegrass elements as a springboard for an eclectic, expansive dynamic. Behind the sweetly ethereal and occasionally jazzy vocals of Aoife O' Donovan, the interplay of Gregory Liszt's banjo, Rushad Eggleston's cello (both bowed and flatpicked), and Corey DiMario's double bass gives the young New England band a sound that is closer to chamber-grass than hoedown. Though none of the material on this label debut is original, the transformations typically are, with the murder balladry of "Little Sadie" given a surprisingly sprightly reading, Bob Dylan's early "Oxford Town" taken at double-time speed, and Robert Johnson's "Come On in My Kitchen" sounding more meditative than bluesy. The band and veteran producer Lee Townsend enlist a number of guests for harmony and instrumental support, but it's plain that the drummerless quartet has the talent and musical vision to deliver on this album's considerable promise. <i>--Don McLeese</i>