Mais

Mais

Marisa Monte's sophomore effort proved to be the breakout album for the young MPB (Brazilian popular music) diva. Adventurous and artful, the album took her where few had gone before, thanks to the production work of Arto Lindsay and musical contributions from John Zorn (both stalwarts of the avant-garde New York scene), as well as Japan's Ryuichi Sakamoto and fellow Brazilian Nana Vasconcelos. The result had all the airiness and grace of the best Brazilian music, as on "Beija Eu," but with rock and new jazz overtones shading the music and adding meat to the broth. Going platinum in Monte's native country, <I>Mais</I> made her into a real star. It also helped establish her musical identity as someone redefining Brazilian music in her own way. <I>Mais</I> is a triumph of art and the first really giant step in an illustrious career. <I>--Chris Nickson</I>