Lost Man's River: Shadow Country Trilogy (2)
When his novel <b>Killing Mister Watson</b> was published in 1990, the reviews were extraordinary. It was heralded as "a marvel of invention . . . a virtuoso performance" (<b>The New York Times Book Review</b>) and a "novel [that] stands with the best that our nation has produced as literature" (<b>Los Angeles Times Book Review</b>). Now Peter Matthiessen brings us the second novel in his Watson trilogy, a project that has been nearly twenty years in the writing. A story of epic scope and ambition, <b>Lost Man's River</b> confronts the primal relationship between a dangerous father and his desperate sons and the ways in which his death has shaped their lives. <br /><br />Lucius Watson is obsessed with learning the truth about his father. Who was E. J. Watson? Was he a devoted family man, an inspired farmer, a man of progress and vision? Or was he a cold-blooded murderer and amoral opportunist? Were his neighbors driven to kill him out of fear? Or was it envy? And if Watson was a killer, should the neighbors fear the obsessed Lucius when he returns to live among them and ask questions? <br /><br />The characters in this tale are men and women molded by the harsh elements of the Florida Everglades--an isolated breed, descendants of renegades and pioneers, who have only their grit, instinct, and tradition to wield against the obliterating forces of twentieth-century progress: Speck Daniels, moonshiner and alligator poacher turned gunrunner; Sally Brown, who struggles to escape the racism and shame of her local family; R. B. Collins, known as Chicken, crippled by drink and rage, who is the custodian of Watson secrets; Watson Dyer, the unacknowledged namesake with designs on the remote Watson homestead hidden in the wild rivers; and Henry Short, a black man and unwilling member of the group of armed island men who awaited E. J. Watson in the silent twilight. Only a storyteller of Peter Matthiessen's dazzling artistry could capture the beauty and strangeness of life on this lawless frontier while probing deeply into its underlying tragedy: the brutal destruction of the land in the name of progress, and the racism that infects the heart of New World history.