Everything Everything

Everything Everything

At the end of 1999, Underworld returned from their international <I>Beaucoup Fish</I> tour utterly exhausted. They had spent almost two years on the road, and that was enough for deck wizard Darren Emerson, who picked up his record box, jetted off to Uruguay, claimed his mantle as a globe-trotting international DJ, and turned his back on Underworld forever. Rick Smith, however, reacted to the experience of coming off the tour in a very different way. Locking himself in the studio for eight months, he watched and listened to tape after tape of the Underworld live experience, examining it, dissecting it, evaluating it. The result is <I>Everything, Everything</I>, a 75-minute compilation of the band's greatest onstage moments, from a rampant, super-fast "Shudder/King of Snake" to a breathtaking closing hybrid of techno milestones on "Rez/Cowgirl"--and not forgetting, of course, a frenetic thunder through the band's ultimate crowd-pleaser, the heavenly prototrance anthem "Born Slippy." To the Underworld disciple, this offering will surely come as manna from heaven. <I>--Louis Pattison</I>