Dub from the Roots
There are very few individuals who command the respect of dub aficionados greater than 'The Dubmaster' himself, King Tubby. On Tubby's venerable 1974 release <b>Dub from the Roots</b>, he introduces us to the 'Shalom Dub', a method of mixing flying cymbals with horns in what he describes as ''going in and out in a dub way''. Check!<p>Borrowing from the forty fives of Johnny Clarke, Jackie Edwards, Cornell Campbell, John Holt, and Horace Andy, King Tubby takes the listener on a journey through a vast array of different emotions, rhythms and soundscapes. One of the standout cuts, <i>Iyahta</i> explores Tubby's use of deep electric basslines to evoke a melodic calmness in the listener, while <i>Mine Field</i> and <i>Hijack The Barber</i> bring you back with the cavernous echoes of stabbing guitars, horns, and cymbals.